吳梓寧,《虛擬鏡域 Cyber Mirror Maze》,網路藝術、行為表演,2005。

2006年,《虛擬鏡域》投影內容是展場電腦自我擷取桌面影像,並上傳至網路無窮回播的即時串流影像。開啟的網頁瀏覽器,不斷瀏覽自我擷取的網頁,就如同鏡面與鏡面之間的無窮反射,形成了一條真實存在於網路上的網路通道。那是一條無止盡延伸的通道,彷彿帶領我們通向網路深處的另一個世界。 此作品呈現,以巨幅的單槍投影呈現上述的網路通道,透過網路串流速率的細微變動可以觀察出該影像來自網路,而非預先錄製下的影像。當表演者在投影屏幕前方行走,網頁瀏覽器的影像在她身上投映出一層如同紋身的科技表皮,也成為作者後續創作《網路原民》的靈感來源。(表演者:Mirror Shen)

“Cyber Mirror Maze” in 2006, the video projection is a live streaming video from the computer at the venue capturing its own desktop and uploads to the Internet as endless playback of itself. The web browser is opened and constantly browse the self-capture page, just as infinite reflections between two mirrors which are face to face, this technic forms a real presence of tunnel on the Internet. It is a non-stop passage extending endless, as if to lead us towards the depth of the network which resembles the after world. The presentation in this stage, huge projection on the wall is showing the live streaming video which mentioned above, we can see slightly changes in the rates of Internet streaming frequency, so we know that the video is really captured from the Internet, rather than pre-recorded. When the performer walks in front of the projection screen, the web browser image projected on her face and body looks like a layer of tattoo on the skin with sense of technology, and this appearance has become the source of inspiration of the subsequent work “Cyber-Native”. (Performer: Mirror Shen )